No, they’re not photographs: Astonishing acrylic paintings which are so detailed they look like they were taken on a camera

By Damien Gayle

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With their spectacular use of focus and reflected light, these incredible artworks look like carefully composed still-life photographs.

But in fact they are all painstakingly rendered on canvas with acrylic paints by Canadian artist Jason de Graaf.

The hyperrealistic paintings, which almost appear as if they are computer generated, are like freeze frames of a world more magical than our own - inspiring the term Magic Realism as a description.

The X-Statix: Acrylic on canvas 30in x 24in

The X-Statix: Acrylic on canvas 30in x 24in

Untitled (Self-portrait): Acrylic on canvas 30in x 30in

Untitled (Self-portrait): Acrylic on canvas 30in x 30in

Bedlam: Acrylic on canvas 24in x 30in

Bedlam: Acrylic on canvas 24in x 30in

Dalliance: Acrylic on canvas 24in x 36in

Dalliance: Acrylic on canvas 24in x 36in

Fluid mechanics: Acrylic on panel 22in x 42in

Fluid mechanics: Acrylic on panel 22in x 42in

That Morning: Acrylic on wood 24in x 18in

That Morning: Acrylic on wood 24in x 18in

A Wave Of Refreshment: Acrylic on canvas 30in x 24in

A Wave Of Refreshment: Acrylic on canvas 30in x 24in

Kiwi Splash: Acrylic on canvas 30in x 40in

Kiwi Splash: Acrylic on canvas 30in x 40in

Suspension Of Disbelief: Acrylic on canvas 24in x 36in

Suspension Of Disbelief: Acrylic on canvas 24in x 36in

Apple Blossoms: Acrylic on canvas 24in x 18in

Apple Blossoms: Acrylic on canvas 24in x 18in

Archimedes' Principle: Acrylic on canvas 30in x 30in

Archimedes' Principle: Acrylic on canvas 30in x 30in

Cherries: Acrylic on canvas 30in x 20in

Cherries: Acrylic on canvas 30in x 20in

A Perfect Day In Which Nothing Really Happened: Acrylic on panel 21in x 35in

A Perfect Day In Which Nothing Really Happened: Acrylic on panel 21in x 35in

Foilscape: Acrylic on canvas 24in x 18in

Foilscape: Acrylic on canvas 24in x 18in

Born in Motreal, Canada, in 1971, Mr de Graaf currently lives and works in Oka, Quebec, where he works for hours on end in almost total isolation to complete his intricate pieces.

He first photographs his still life compositions, before drawing them on to canvas with pencil then painstakingly recreating the images - coloured by his own interpretation - with acrylic paints over many days.

 

From 1993-1996 Mr de Graaf studied illustration at Dawson College in Montreal. After years of full-time and part-time illustration work, he has devoted himself entirely to painting since 2005.

He cites diverse influences ranging from M.C. Escher to Johannes Vermeer, but says that watching a local illustrator demonstrate painting with acrylics inspired him to develop his unique style.

Heliocentric: Acrylic on canvas 40in x 30in

Heliocentric: Acrylic on canvas 40in x 30in

Ice Palace: Acrylic on canvas 24in x 36in

Ice Palace: Acrylic on canvas 24in x 36in

Theory of Probability: Acrylic on canvas 36in x 36in

Theory of Probability: Acrylic on canvas 36in x 36in

Vanity Fair: Acrylic on canvas 30in x 24in

Vanity Fair: Acrylic on canvas 30in x 24in

Spirits Of Oisterwijk: Acrylic on canvas 36in x 36in

Spirits Of Oisterwijk: Acrylic on canvas 36in x 36in

Nancy's Room: Acrylic on canvas 24in x 20in

Nancy's Room: Acrylic on canvas 24in x 20in

Obscura: Acrylic on canvas 36in x 24in

Obscura: Acrylic on canvas 36in x 24in

Ocean View: Acrylic on canvas 39in x 26in

Ocean View: Acrylic on canvas 39in x 26in

Perihelion: Acrylic on canvas 24in x 30in

Perihelion: Acrylic on canvas 24in x 30in

Photorealism at the Millennium: Acrylic on canvas 36in x 24in

Photorealism at the Millennium: Acrylic on canvas 36in x 24in

Seven Chambers: Acrylic on canvas 36in x 24in

Seven Chambers: Acrylic on canvas 36in x 24in

Solstice: Acrylic on canvas 18in x 36in

Solstice: Acrylic on canvas 18in x 36in

Strawberries on Foil: Acrylic on canvas 36in x 24in

Strawberries on Foil: Acrylic on canvas 36in x 24in

Tandem: Acrylic on canvas 40in x 30in

Tandem: Acrylic on canvas 40in x 30in

The Sphinx of Delft: Acrylic on canvas 24in x 48in

The Sphinx of Delft: Acrylic on canvas 24in x 48in

Trinity: Acrylic on canvas 30in x 24in

Trinity: Acrylic on canvas 30in x 24in

Eventide: Acrylic on canvas 20in x 30in

Eventide: Acrylic on canvas 20in x 30in

Vesalius Skeleton: Acrylic on canvas 36in x 24in

Vesalius Skeleton: Acrylic on canvas 36in x 24in

Vessels: Acrylic on canvas 36in x 18in

Vessels: Acrylic on canvas 36in x 18in

Mr de Graaf told Poets & Artists magazine that his paintings are about creating the 'illusion of verisimilitude', filtered through his own vision of the world.

'Though I use photographs as the image source, my goal is not to reproduce of document faithfully what I see, but to create an illusion of depth and sense of presence not found in photographs,' he said.

'Many of my paintings are about the relationship of light with reflective and transparent surfaces and my journey to understand those qualities and convey my sense of wonder and intrigue over them.

'Lately I have been trying to imbue my paintings with a sense of narrative and lyricism.'

Mr de Graaf is represented by the Plus One Gallery in London and by Galerie de Bellefeuille in Montreal.

 

Here's what other readers have said. Why not add your thoughts, or debate this issue live on our message boards.

The comments below have not been moderated.

These are giclees, not paintings! Controversy has been raging about this kind of art for the last few years in Canada!! It's not real art at all. What a shame people like this are ripping off the true artists of the world. And not owning up about their trickery.

Click to rate     Rating   2

Absolutely amazing. This is refreshing. Everyone thinks they are a photographer because they have a digital camera, this shows that to be a true artist takes hard work and talent.

Click to rate     Rating   10

Now THAT is art. Unbelievably talented.

Click to rate     Rating   11

these are so beautiful . i wonder if he sells his artwork anywhere ... he is so talented

Click to rate     Rating   14

"Like I said I admire his technical gift (illustration) but there is nothing more to it to offer from an art perspective. - Ian, Bolton, 10/6/2012 14:23 The response here is admiration and pleasure. Art does not always have to 'mean' something, that's just contemporary fashionable thinking which will have had its day like all other trends in the shallow world of modern art. Skill is something the modernist feels quite threatened by, as there tends to be a dearth of it at today's colleges (that's why there are so many art students - the entry requirements don't include the ability to draw). Sometimes the point of a painting is simply to be. Especially if it doesn't require a large portion of verbal diahorrhrea to validate it.

Click to rate     Rating   10

When I was in secondary school there was a Japanese lad in my class that did a pencil drawing similar to these. I remember wondering why he only got an A for his GCSE and not an A*. I got a B and my work was rubbish in comparison!

Click to rate     Rating   8

Over Here, USA. Here's a very brief explanation about the slodges and splashes of paint that is modern art. What happened was that once artists had become free from their patrons, either a weathy man or the state or church, they explored different avenues, Monet, Manet, Renoir etc, then around the early part of the 20C they went through various modern types of art, Dada, Cubism, Fauvism etc. Later Post Modernists decided that as painters they should be only exploring color, like a musician explores musical sounds but if he uses 'barnyard noises' etc it becomes kitsch, so too with the painter it should be purely about color hence the splodges. But, there again it can't risk being compared to a childish exercise in making a mess, so it is that the artist's spirit/ energy/feelings are also to be experienced in that creative use of color. Unfortunately those of us with less kultcha are too boorish to see and feel wot the intellectual giants amongst (and above) us experience!

Click to rate     Rating   1

They are so much like photographs that one wonders why he bothered. It is skilful but rather cold. Illustrations or art?

Click to rate     Rating   13

These are absolutely amazing, If I hadn't known I would have said they were photo's.

Click to rate     Rating   45

Meaningless. This evokes nothing. No soul. Hang it on your wall and bore people to tears explaining "...really its not a photo!"

Click to rate     Rating   36

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